I don't create to represent the world, but to reveal the invisible dimensions that permeate it.
Art as a Portal My art is a passage. A passage between visible worlds and those we barely perceive: liminal zones, psychic territories, lucid dreams, parallel worlds. I summon augmented realities through the imagination, through technology, through intimacy.
The Body as a Coded Temple The human body—often female—is at the heart of my work. It is both a living sculpture and a page of symbols. The tattoos I draw or photograph are ancient or future languages, beacons of a myth in the making. I treat it as a sensitive interface between the organic and the digital.
Fusion of Opposites I reject binary oppositions. Nature and machine, flesh and data, tribal past and quantum future: everything blends together. My aesthetic is a laboratory where science fiction embraces the archaic, where cybernetic light dances with shamanic roots.
Synthetic Psychedelia My visual compositions are saturated with colors, layers, and vibrations. I embrace digital psychedelia, not as a simple style, but as an expanded sensory experience. My backgrounds are never neutral: they are the fractal echo of the psyche.
Beauty as an Act of Resistance Creating beauty in a disenchanted world is a political act. I seek an aesthetic that re-enchants, that liberates, that offers new forms of the sacred. Art is my weapon against the standardization of bodies, ideas, and dreams.
The Work as a Totem Each image is a visual totem, carrying a unique vibration. It is not merely aesthetic: it is an invocation. It invokes a feeling, an ancient memory, a futuristic projection. It is ritual.
